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…or entrance? Were the two doors used separately, one for exits and the other for entrances Then there is the question of exits and entrances between the stage level and the "above". Beckerman notes Julius Caesar V.iii., where two and a half lines are allowed…

…) Brutus’s cause for killing Caesar was for fear of how Rome would become under a dictator, while Cassius was merely thinking for himself and how his person would benefit from the death of Caesar. In Roman times bad omens and other superstitions were held…

…was passionate but not promiscuous. As far as we know, she had no other lovers other than Caesar and Antony. Many believe that she did what she felt was necessary to try to save Alexandria, whatever the price. By 48 BC, Cleopatra had alarmed the more powerful…

…In Cicero’s, “First Philippic against Marcus Antonius,” he is offering his view on the political situation after the death of Caesar. His purpose for coming before the Senate is to drive them to the realization that Marcus Antonius and his actions…

…to get along. Ray Budds causes some problems, and has planted it firmly into his mind that he will never get along with blacks. Upon returning from football camp the team is again thrown into turmoil. Two friends as close as brotherly bond, Gary and Julius…

…of nothing but the finest part of pure love'. Antony's vacillation of moral stance is justified by the indecisiveness of the conflict between Roman duty and Egyptian sensuousness. Cleopatra and Caesar, the representatives of Egypt and Rome respectively, are each…

…abuse and neglect in India', Caesar-Leo (1999) also highlights the growing problem of child labour in India and seeks to clarify the complex reasons behind the problem. The 3rd article 'Does globalisation increase child labour', Guarcello (2002) further…

…still stands in Florence for visitors to view. Pope Julius II called Michelangelo to Rome again in 1505 for two commissions. One for the frescoes of the Sistine Chapel ceiling and second the tomb of Julius II. The first commission consisted of nine scenes…

…on Guiliano's tomb. Work on the Medici tombs continued long after Michelangelo went back to Rome in 1534. In 1505 Michelangelo was called back to Rome by Pope Julius II in for two commissions. The most important one was for the frescoes of the Sistine chapel ceiling…

…, but he was far less active to associate with Italian scholars than it might have been expected. In 1506, he witnessed the triumphal entry of Julius the II, a warrior Pope, at the head of a conquering army, a scene that prompted him to write a satiric dialogue…