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…, but in a different way. Her heavy-liddedgaze takes an age to wake to the problem in hand; afterwards she resists theflow of terror and rarely makes a stupid move. Ultimately Kubrick leaves usshort-changed, wrapping events up too rapidly and leaving deeper…

…terror at the prospect of going on the quest with the dwarves. After Bilbo's display of fear, the dwarves are skeptical that Bilbo will make a good addition to the party, and Gandalf gives this speech to ease their doubts. The speech is important both because…

…gives a warning. He says “O Faustus, leave these frivolous demands, Which strike a terror to my fainting soul” (I, 3, 81-82). It seems as though Mephastophilis is trying to give Faustus a chance to get out of this situation before anything happens…

…as long as he stopped the pain from coming. The full conversion of Winston was his worst horror the rats, Winston could not imagine that type of terror so he confesses all and then O’Brien could easily reconstruct him. In the last part of the book Winston…

…potential. The film, for the most part, accurately showed the devastating effects that schizophrenia can cause in a persons’ life; the terror of living through experiences that seem so real, and the agony that both Nash and his loved ones had to go through…

…economy is in a recession. Some people think Bush should take action against unemployment and create more jobs to boost the economy. One way he is trying to create this boost is to go to war (on terror and Iraq) and spend billions of dollars on health…

…in such a way to arise discussion about these flaws in human nature. The creature sought to fit in with society. Everyone that he came into contact with him only viewed him in horror and disgust. All the violence and terror that the creature inflicted was due…

…, Faustus becomes even more aware of the terrible reality of eternity. Faustus’ final speech is where he realises what he has done wrong. He realises his fate and this draws the audiences’ sympathy. The sheer terror in his speech changes the tone of the play…

…the reader on a journey from the heights of urban glamour to the terror of feeling imprisoned within one's own mind. Interlaced through out the book are Plaths real life experiences and feelings. We are shown a mirror between fact and fiction. In this loosely…

…for the second time. "The professional military mind is by necessity an inferior and unimaginative mind; no man of high intellectual quality would willingly imprison his gifts in such calling." (from The Outline of History, 1920) In THE HOLY TERROR (1939) Wells…