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…"...in depth about four feet, in width three, in height six or seven...." which had been created (p. 152). Fortunato was intoxicated at this point from all the drinks that Montressor had offered before. He then told Fortunato to enter where he then in a moment…

…in style, but "deploy specifically Andean systems of spatial symbolism that express Andean values and aspirations" (589). In Andean symbolism, the height at which a person or people are drawn indicate their power and authority in society. Poma mocks…

…symbol. This is shown in the following excerpt from Harry Stone’s explanation of symbolism in Araby: The interior of the building is like a church. The great central hall, circled at half its height by a gallery, contains dark stalls, dim lights, and curtained…

…height. Conrad uses double oblique narration. A flame narrator reports the story as told by Marlow, assigned to the command of a river steamboat scheduled to transport an exploring expedition. Kurtz is a first-agent at an important trading post of ivory…

…Hemingway's Retelling of Wathering Heights." The Hemingway Review. Vol. 14.2 (1995): 79-76. Wexler, Joyce. "E.R.A. for Hemingway's: A Feminist Defense of A Farewell to Arms." Georgia Review Vol. 35.1 (1981): 111-123. Whitter, Gayle." Childbirth, War…

…Manhattan, could no longer handle the flow of immigrants, the reception headquarters was transferred to Ellis Island. At Ellis Island immigrants were examined and either admitted or deported. At the height of it’s activity from 1900 to 1914 Ellis Island…

…to allow him to do this. He would allow Mr. Auld to trust that he would not run away. He did this by working hard and giving Mr. Auld all of his wages. He would make Mr. Auld very happy and content with this agreement. At the height of this, Douglas escaped…

…of Congress of South African Writers, and even at the height of the apartheid regime, she never considered leaving her country. Nadine Gordimer was born into a well-off family in Springs, Transvaal, an East Rand mining town outside Johannesburg…

…and “clawed instinctively for my eyes…she surely rose to magnificent heights of insane fury of effort bred of her terror of me.” Initially, Mathilda was on the defensive, fearing the doctor’s advances, but by the end of the story her fear turned to fury against…

…causes Tristan so much anguish that he decides to risk the trap just to be with his love: “This trap was mortal pain for Tristan. His desire for the woman was at its height and his heart yearned in his body as to how he could get to her” (241). Tristan risks…