Search Essays

…their love for each other, and lines 9-14 are Rossetti’s instructions that her lover move on with his life and not dwell on her death because she would rather he “…forget and smile…than remember and be sad”. Rossetti uses a metaphor in line 1 when she states…

…;(Line 9, 13, 14). This sudden emotional change to me is a symbol of his love or life. Once the poet’s life was calm like the seas in the opening line. The poet’s life has no changed into turmoil of emotions, which are charged like the sea “…

…Annotated Bibliography Ethan FromeMarius Bewley "Mrs. Wharton's Mask," The New York Review of Books, Vol. 11, No. 3. 1964 7-9 Rpt. In Twentieth Century Literary Critixism Ed. Dennis Poupard. Vol. 27. Detroit: Gale, 1988. Bewley's thesis…

…omniscient. Had the author chosen to tell the story from just one point of view, I wouldn't have been aware of so many details only made available through a third person omniscient point of view. 9. The mood of The Chocolate War is sorrow. The author makes…

…and white Georgian colonial mansion overlooking the bay" (11). On the other hand, Gatsby's mansion is a newer home that, "…was a factual imitation Hotel de Ville in Normandy, with a tower on one side, sparkling new under a thin beard of raw ivy…" (9). Case…

…him to Mantua. He says, "Suspecting that we both were in a house/ Where the infectious pestilence did reingn,/ Seal’d up the doors, and would not let us forth;/" (V, ii, l 9-11) Friar John tells that he could find no one to deliver the letter…

…emotional journey to be with his lover eternally and without change. “No — yet still steadfast, still unchangeable / Pillow’d upon my fair love’s ripening breasts” (9-10). His deep emotions appear in line ten as he yearns to be as close as possible to his love…

…9-11. They do not know who is on the opposing team. They do not know who is on their team. For the most part, they do not know who is coaching them. The only fact they do know is they want to win. How does this get to be so competitive? The answer…

…to the niece of the Count of Tyrol. They are walking through the duke's home when the Duke pulls back the curtain revealing the picture of his “Last Duchess” (Lines 9 and 10). By keeping the curtain drawn on the painting of the Duchess, Alfonso limits her scope…

…in the final line “Even the dirt kept breathing a small breath.” (11). This is yet another time in which he focuses on something rather pleasant, as apposed to foul and terrible. After reading the final lines and then taking the poem in again as a whole, one…