In one of the countless reviews of Vertigo the inevitable subject of obsession was stated in the following manner: that film is not a study of obsession, but the obsession itself. In other words, the phenomenon of obsession is present in it not as an outside object of "investigation", but as the film's own intrinsic characteristic. Therefore, it does not investigate this phenomenon but "produces" it, i.e. instigates obsession. Such inversion, perhaps unusual and …
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