Tricks With Mirrors by Margaret Atwood In Part I of Tricks With Mirrors, Atwood uses a seemingly vague introduction to the subject matter, but gets straight to the point. Within five lines, she distinctly identifies her role as a mirror as she says, "I enter with you and become a mirror," (4-5). She gives the impression that she is merely an object in this relationship. She is a mirror through which her self-absorbed lover may …
showed first 75 words of 1190 total

showed last 75 words of 1190 total
…her endeavors, and continues to give throughout her quiet rebellion. All her lover ever does is take from her what he pleases a faithful reflection of what he wishes to see in himself. Atwood defines these traditional roles in relationships while forming her opposition to the nature of these unfair dynamics. A deeper message may be found in the poem, however, as she conveys her detached unhappiness do not become a mirror, she tells us.