During the Renaissance, humanists, having recovered numerous ancient texts, suggested 'that the grandeur of a king although established by war, was maintained by peace. The fruits of peace, they claimed, were commercial prosperity and the progress in the arts, which in turn immortalised the prince's glory.' Ritual, art and architecture may all be seen as the instruments of self-assertion, as the continuation of war and diplomacy by other means. For the purpose of this …
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showed last 75 words of 2259 total
…ed.s) J. Bergin & L.Brokliss, Richelieu & His Age (1992) A. Blunt, Art and Architecture in France: 1500 to 1700, (1953) P. Burke, The Fabrication of Louis XIV, (1992) R. Isherwood, The Centralisation of Music in the Reign of Louis XIV, French Historical Studies, Vol. 6, No.2 (1969) R. Knecht, Richelieu, (1990) A. Schnapper, The King of France as Collector in the Seventeenth Century, Journal of Interdisciplinary History, Vol. 17, No. 1 (1986) D. Sturdy, Louis XIV, (1998)