One of Ridley Scott's most brilliant aspects as a director is his use of lighting and shadow in his films. His previous films include Alien (1979) and Bladerunner (1982). Hannibal makes great use of the light and dark in the key scenes set in Florence. Sunny scenes of Hannibal living the life of a bon viveur and gastronome alternate with dark rainy streets scenes where he murders a gypsy and the policeman Pazzi. When he first attacks …
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showed last 75 words of 874 total
…represented by Pazzi. The sentence of death for rudeness seems rather disproportionate however, and in the end I am personally repelled by this warped and profoundly pessimistic philosophy. It is a world without God. The Shadow remains however. This is a very grim fairytale where good is conspicuously absent and evil plays freely. In the wake of the fictitious Hannibal and the reality of Shipman we are left bereft - where have the heroes gone?