Michelangeli began playing Mozart Concertos as early as 1947. His favorite concertos are No. 13, 15, 20, 23, and 25. One would be to assuming a 'classical' over 'romantic' in that the former ethos-oriented organization runs against the passion and freedom. But clearly what differs in this case the classical-pathos-ethos from romantic-pathos is the discipline Michelangeli is known to have brought to Mozart. Effects would vary but a central forci is of absence and aloofness associated with that ethos-oriented mode of …
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