Lecture notes and thoughts on "Frankenstein" (both the 1931 Film Version and Shelley's Novel) and also Gothic theory
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Words: 2135
Pages: 8
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Pages: 8
(approximately 235 words/page)
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Lecture Notes on "Frankenstein" and the Gothic
- Generally features strong elements of the supernatural, psychotic, sexually perverse or a combination of all three.
- Gothic usually featured dark, brooding setting: Damziels in distress.
- When Shelley wrote "Frankenstein" Gothic had gone out of fashion.
- 1818 Gothic played for laughs or reanimation.
- Shelley: no clear distinction between good and evil.
- She updates Gothic out of medieval world into her world. Fairly contemporary setting
showed first 75 words of 2135 total
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showed first 75 words of 2135 total
showed last 75 words of 2135 total
Gardener). - Gardener as monster constructive, creative member. Openly desired monster. - Emphasises "Bride of Frankenstein". Draws attention to female companion, monster seeking a friend. - An inversion of the gothic. - Father/Son relations of healing type; in place of Oediple relations. - "Gods and Monsters" gothic because it holds to paranoia model. - James Whale (hysteric) - prone to being overtaken by hallucinations of the past. - Clayton Boon is a classic paranoid.
Gardener). - Gardener as monster constructive, creative member. Openly desired monster. - Emphasises "Bride of Frankenstein". Draws attention to female companion, monster seeking a friend. - An inversion of the gothic. - Father/Son relations of healing type; in place of Oediple relations. - "Gods and Monsters" gothic because it holds to paranoia model. - James Whale (hysteric) - prone to being overtaken by hallucinations of the past. - Clayton Boon is a classic paranoid.