Kurosawa's Ran, Shakespeare's King Lear, and Man's Self-Imposed Cycle of Folly
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Words: 4763
Pages: 17
(approximately 235 words/page)
Pages: 17
(approximately 235 words/page)
Essay Database > Literature > European Literature
The plays of William Shakespeare have long been an inspiration for filmmakers from the very beginnings of the art of film, to modern adaptations such as 10 Things I Hate About You and Scotland, PA. In this case, though the events, scenes, philosophies and characters are rearranged and re-coded, other literary elements and influences circulate throughout, and the director definitely ingrains the film with his own ethos, Akira Kurosawa's Ran is the ultimate in Shakespeare adaptation
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showed first 75 words of 4763 total
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Peter. "Kurosawa Directs A Cinematic Lear." New York Times 15 December 1985: pg. 13 Jorgens, Jack. Shakespeare on Film. Bloomington: Indiana University Press, 1977 Goodwin, James. Akira Kurosawa and Intertextual Cinema. Baltimore: Johns Hopkins University Press, 1994 Seaton, Henry. "All-licensed fool; all licensed film: Akira Kurosawa's Ran." The Shakespeare Project. 9 November 2003. <http://web.grcc.cc.mi.us/english/shakespeare/> Richie, Donald. The Films of Akira Kurosawa. Berkeley: University of California Press, 1984 Shakespeare, William. The Riverside Shakespeare. Boston: Houghton, 1997
Peter. "Kurosawa Directs A Cinematic Lear." New York Times 15 December 1985: pg. 13 Jorgens, Jack. Shakespeare on Film. Bloomington: Indiana University Press, 1977 Goodwin, James. Akira Kurosawa and Intertextual Cinema. Baltimore: Johns Hopkins University Press, 1994 Seaton, Henry. "All-licensed fool; all licensed film: Akira Kurosawa's Ran." The Shakespeare Project. 9 November 2003. <http://web.grcc.cc.mi.us/english/shakespeare/> Richie, Donald. The Films of Akira Kurosawa. Berkeley: University of California Press, 1984 Shakespeare, William. The Riverside Shakespeare. Boston: Houghton, 1997