Aboriginal Representation in Film.

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"What comprises the dynamic effect of a painting? The eye follows the direction of an element in the painting. It retains a visual impression, which then collides with the impression derived from following the direction of a second element. The conflict of these directions forms the dynamic effect in apprehending the whole." (Sergei Eisenstein: 1929) Eisenstein writes about the art of painting and gives an explanation of where the final product of a painting comes from. …

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…Film Form New York: Harcourt, Brace & World JENNINGS, Karen (1993) Sites Of Difference: Cinematic Representations of Aboriginality and Gender South Melbourne: Australian Film Institute Research and Information Centre MARTIN, Angela (1979) Films For Women London: British Film Institute RUTHERFORD, Anna (1988) Aboriginal Culture Today Sydney: Dangaroo Press - Kunapipi WOLLEN, Peter (1982) Readings and Writings: Semiotic Counter-Strategies 'The Two Avant-gardes' London: Versoi NLB FILMS Nice Coloured Girls (1988) MOFFATT, Tracey Night Cries - A Rural Tragedy (1989) MOFFATT, Tracey